Every piece in Unspoken Stories began the same way — with a quiet moment and a blank surface.
I started by sketching loose, gestural forms, focusing not on faces but on movement and shape. Each figure had to carry weight without facial expression — a challenge that made me rethink my entire creative process.
Then came the tridimensional surfaces. Working on them means constantly adjusting perspective, because the work changes as you walk around it. It’s a dance between Surrealism’s dream logic, and Abstraction’s freedom.
Color became a language of its own. Every shade was chosen to hint at an emotion or memory — a warm orange for a fleeting joy, a deep blue for the echo of loss.
Even the smallest elements matter. A curve in the background might represent a hidden hope. A sharp angle might signal an unspoken conflict.
The silence in these works isn’t empty — it’s full of life, waiting for you to lean in and listen.
Daniel Acero (Politics)